Now that museum, which is an affiliate of the Smithsonian Institution in Washington, DC, is getting heavily into claims about Area 51 and UFOs. It has a special exhibition on "Area 51," which requires a separate admission ticket. I did not see this exhibit, but I understand that it depicts ongoing classified projects, which would seem to place the museum in the same business as Wikileaks. Whether a Smithsonian-affiliated museum ought to be doing this is a serious moral and legal question. I thought that the Area 51 exhibit restricted itself to aerospace-related matters, but Lee Speigel writes in the Huffington Post, "Among the many items displayed are materials presented as "Authentic Alien Artifact" -- samples of small objects originating from an alleged UFO crash in Russia." So if you want to see an "Authentic Alien Artifact," the National Atomic Testing Museum claims to have one.
|Lee Speigel's photo of an "Authentic Alien Artifact."|
|The entrance to the National Atomic Testing Museum|
As noted by the British skeptic Ian Ridpath, the tale told by Col. Halt about this incident has "improved" dramatically over the years. In 1980, he claimed only to have witnessed "starlike" objects in the sky. By 2010, his account had expanded so that the objects zoomed up over his head and sent down a laser-like beam at his feet. The audience at Las Vegas will surely hear the new and improved version of Col. Halt's tale, with no hint of any reasons to question it. As Ridpath wrote in reference to a posting by Dr. David Clarke,
Halt’s superior officer at the time of the events, Col Conrad, has been scathing of his claims, saying: “He should be ashamed and embarrassed by his allegation that his country and England both conspired to deceive their citizens over this issue. He knows better.”
Former intelligence officer Col. John Alexander (U.S. Army Retired), is also speaking. He probably organized this lecture event. Alexander is a bit unusual among UFO proponents in that he absolutely does not believe that the U.S. Government is covering up any "UFO secrets," or is engaged in any "UFO conspiracy." So that rules out belief in the Roswell Crash (which got him jeered while speaking at the MUFON Symposium last year). Yet Alexander apparently believes in a British UFO cover-up, as he is a strong proponent of Col. Halt and the other supposed witnesses at Rendlesham. James McGaha and I each told Alexander personally about Col. Halt's changing UFO claims, and asked how could he continue to have confidence in Halt's story? But Alexander does not seem troubled by Halt's inconsistency in the least, or by the dressing-down of Col. Halt by his superior officer, Col. Conrad; why give up on a UFO story as good as this one??!!!
Also speaking are retired Air Force Cols. William Coleman and Robert Friend. Col. Friend was the director of the U.S. Air Force's Project Blue Book. Coleman, an Air Force public information spokesman, was the producer of the former NBC-TV program "Project UFO," which ran two seasons (1978 and 1979). The show was so bad that, as I wrote in Psychic Vibrations (SI Fall 1979; book, p. 15):
Edward Winters, one of the stars of the series, explained how the writers for Project UFO got their material: “As I understand the story, the Air Force finally got tired of looking at us, because they said, ‘Anything your writers can dream up, we can find … There are over 12,000 cases in the Blue Book report.’ So instead of finding it first and then writing about it, they let the writers write it and then they go find one like it!”If either of these gentlemen, Col. Friend or Col. Coleman, ever actually had any "UFO secrets," they should have appeared in the Blue Book files. Or at least in Project UFO.
James McGaha contacted the Director of the National Atomic Testing Museum, Allan Palmer, to get an explanation of why such sensationalist material was being presented under the auspices of the museum, but received no clear explanation. His attempts to get a comment on this matter from the Smithsonian has thus far been likewise unsuccessful.
For whatever reason, we are now seeing once-respected names dragging themselves through the swamp of UFO and alien claims. First the National Geographic, embracing UFO claims as if there were no tomorrow, with Chasing UFOs merely the most egregious example. Now even a Smithsonian-affiliated museum is shamelessly promoting entirely uncritical UFO claims. What will be next: Bigfoot exhibits? Astrological displays? Are museums to be the next venue for tabloid entertainment? If America's museums are willing to shed all scholarly rigor and self-respect to bring more visitors through the doors, then it will be a sorry day for science education in America.